I’m finished with re-wiring my studio and it works great, for the most part. All my gear is now plugged into the Behringer PX3000 Ultrapatch Pro. I can very easily select which ones should connect to my sound cards, depending on what gear I want to use and record simultaneously.
Technically I could do this earlier but now it’s so much easier. The thing that works best for me when making music is that when I get an idea I want act on it immediately. Earlier it was such a hassle each time I wanted to record different hardware synths, so I tended to always stick with the same – which is a bit bad for creativity. For me anyway.
The only thing I need to solve now is to get rid of the USB noise / hiss that recently, somehow found a way into the sound from my Eurorack modules. The noise originates from the computer, via the external sound cards. I earlier had the same problems with the sound from a couple of the synths with USB (The Blofeld and the Modemachines Xoxbox) but solved it using a couple of cheap Ground loop isolators.
I tried the same approach with the sound out from the Eurorack modules. The USB noise was removed but so was also everything below 2000 Herz. I’ve ordered different isolators from Thomann. If that doesn’t work I will have to get something more expensive.
The project for today is something I should have done long ago: installing a hardware patch-bay and rewiring my studio.
Right now all of my gear goes straight into two external sound-cards, the NI Traktor Audio 6 and 10. Since there are more outputs from the gear than inputs on the sound-cards I use to switch cables when producing. After doing that for a few years you get to a point where you have no idea which cable goes where and also there is a huuuuge bundle of cables, where some of them are probably never used.
I got the Behringer PX3000 Ultrapatch Pro and 2 x The Sssnake MPP8050, which is a multicable with eight 6.3 mm mono jacks on both sides.
Wish me luck..
Over 10 years ago I got this idea that I would make some new chip tunes, so I bought an old Nintendo Gameboy and a cartridge with an early version of Nanoloop.
(Had to look, it’s version 1.2.)
No new chip tunes were actually made but I did manage to use some of its crunchy sounds in a couple of my early dance music releases, like A brand new world. The noisy crunchy loop you hear in the intro was done on a Gameboy with Nanoloop 1.2, with some sampled congas put on top of it.
Anyhow, the latest version of that awesome little sequencer is now 2.7 and apparently there is another type of cartridge on the way called Nanoloop Mono.
It’s a three channel analog synthesizer cart for the original monochrome Gameboy models, and judging by the video it sounds pretty damn good. I might just get one of these and fire up the old beige boy one more time.
Hmm.. I should make a youtube video playing Nanoloop 1.2. There doesn’t seem to be many on the tube.
A short demo of Nanoloop Mono for Gameboy Classic.
Check out this little techno track I just recorded from my modular synthesizer. It’s a work in progress obviously.
Some techno I put together with my modular. Enjoy!
Check out this little cool online tool that lets you write funky beats with your keys. Fun stuff! Created by Kyle Stetz.